It’s been a long wait since All Get Out’s seminal ‘The Season’ back in 2011. Although not propelling the South Carolinians into the mainstream, their debut full-length rewarded them with cult status. The emotionally charged rock, bordering on emo but offering far more than those connotations would allow, drew welcome comparisons to the likes of Manchester Orchestra. The density and subtle force of the tracks made All Get Out stand way out ahead of the pack.
‘Movement’, their eagerly anticipated follow on, continues everything that made ‘The Season’ instantly captivating. Predominantly driven by enveloping melodies and distinctively cracked vocals, ‘Movement’ relies on the beauty of the track’s composition. There’s a delicacy in the guitar, even when the sound is pushed to breaking point and the vocals move to screams.
Fundamentally, ‘Movement’ is heavier than ‘The Season’ – fans of the softer moments on their debut (closing duo ‘Let Me Go’ and ‘Come and Gone’) may find some disappointment. Whereas Opener ‘Sans’ and lead track ‘Balance’ are more similar to the band’s previous output, the record pushes the boundaries of All Get Out’s beauty, particularly on ‘Orchestra’.
It’s a subtle shift that ultimately makes ‘Movement’ a less accessible listen. The shifts in temperament that underpinned their debut are sacrificed in favour of increased consistency, perhaps a symptom of the comparable short running time. Although the essential elements are present and correct, and certainly deliver another exciting listen, ‘Movement’ doesn’t feel as intelligent as ‘The Season’.
Potentially shallower, ‘Movement’ may only suffer when placed against its forerunner. What All Get Out offer in these seventeen minutes is still miles ahead of most of that offered by their contemporaries. ‘Movement’ proves another welcome addition to their impressive repertoire, yet seemingly merely hints at what All Get Out are capable of.
BEN TIPPLE