Post-hardcore has lost its direction in recent years. With every Tom, Dick and Craig Owens vying to break down boundaries and expectations, how are you supposed to stand out? London quartet Radio Alcatrazâs hold the answer â meaningful, extraordinarily talented tracks that wouldn’t sound out of place on a Tony Hawk’s game soundtrack.
The follow up to their self-released, self-recorded debut, the sarcastically-titled ‘It’s All Coming Up Roses’ is testament to Radio Alcatraz’s progress with guest spots including Jamie Lenman and Liam Cormier of Cancer Bats. As much as this faith in their success is proved to be well-placed, the album could certainly have survived without them. Coming straight from their own Radio Alcatraz Music label, the record raises a defiant middle finger to the artificially-generated music scene as in the opening track âIndustry Has Failed, Activate The Black Magicâ. Thereâs no denying Radio Alcatrazâs seething message to the money-hungry industry accompanied by reflective melodies and expertly complex drum work. âTake the wind out of their sailsâ, frontman Simon Griffiths cries, whose storming vocals combine both the solemnity and pleading of post-hardcore but the desperation and anger of its hardcore predecessors throughout.
Consider this album the genetic combination of early MCR and even earlier Green Day that pop-punk fans would’ve sold their souls for. Throughout each track, itâs possible to hear every second of effort put into the composition and performance, exemplifying Radio Alcatrazâs combined talent. The apathetic agony of âGet In The Back Of The Carâ meets the call to arms of âSaturday Night Stick Upâ to forge a towering achievement in post-hardcore â standing out from the crowd. âHoliday In A Police Stateâs scathing condemnation of modern life told to the tune of a tricksy riff and Daniel Wheeldonâs jaw-dropping leading drums leads into âTo The Endâ, the recordâs gorgeous melodic shift as a nod to fans of the slower side of things.
In contrast, âExchanging Hunting Tips With The Devilâ perfects the combination of Zebrahead-esque energised punk and Hawthorne Heightsâ grittiness. Contagious punk rock âyeahâ chants aplenty, the albumâs lyrical work is something to admire â âstick em up, it’s their money, it’s your lifeâ will surely become a roof-raising chant at live shows. âHenry VIIIâ lives up to its namesake – punishing, venomous bloodlust which perfectly complements âSleeping Limbâ, the recordâs epic 7 minute closer, which bides its time before jaws drop to the floor when Liam Cormierâs guest vocals add a dose of menace to an overall colossal record.
London needs and deserves a reinvigoration of punk rock, and Radio Alcatraz are incredibly talented and worthy torchbearers for such a fragile, temperamental legacy.
ALI COOPER