If ‘Start Static‘ showed that Sugarcult have a truckload of anthemic songs and boundless energy, ‘Palm Trees and Power Lines’ will merely cement that opinion. Having toured the world to support what was possibly last year’s sleeper hit record, Sugarcult have come back with a record which sounds more composed than their previous offering. It may not be as instant, but this is one hell of a grower – an album that shows maturity without ever coming across as trite or predictable. Infact the band probably owe more to the likes of Elvis Costello than Blink 182 this time around, which could potentially alienate those fans who like their pop-punk of the disposable variety. Whichever way you look, this new record looks certain to attract a wealth of new fans and have them bouncing off the walls. Again.
There has been a lot made about the more ‘indie’ feel this record has and while I agree it’s certainly more considered and thoughtful (dare I even say grown up), rumours of Sugarcult‘s pop-punk demise have been greatly exaggerated. Tracks like ‘She’s A Blade‘ and ‘Over’ are full-on catchy pop-punk anthems which would not seem out of place on ‘Start Static‘. But there’s a feel to most of the songs which shows that Tim and co have what it takes to improve on what they’ve already done. ‘Memory’ is a blinding first single and sure to be a summer anthem, while ‘Crying’ is also a standout. The real highlight for me is ‘What You Say’, with its crunchy riff and more rock-based style.
What is certain about ‘Palm Trees and Power Lines’ is that the average age of the band’s audience will probably jump. This record ditches the daftness that occasionally littered ‘Start Static‘ and in turn adds a real quality to proceedings. If you liked Sugarcult before, you’ll almost certainly love them now. This is a fine record which, while not as anthemic and instant as its predecessor, is destined to be a sure-fire summer hit.
www.sugarcult.com
Fearless/Artemis
Paul