As it happens, the seeds for the reunion were sown almost immediately after the band parted ways. With Slam Dunk Festival famous for hosting at least one high-profile reunion every year, Director Ben Ray had lined up the band as a marquee return. Within the smoking area of the Kerrang! Awards, Ben’s campaign began in earnest.
Although Ray pestered the band for many years, the idea was always laughed off. That is, until the opportunity to celebrate the 15-year anniversary of âSmart Casualâ was mooted. It then went from the pipe-dream of fans and festival directors to something more concrete. âI feel like the band felt like enough time had passed and enough space, and everyone was kind of in a good enough place in their lives and personal lives to be like, yeah, do you know what? Letâs just do it” explains Phillips.
Coincidentally, it wasnât only Kids In Glass Houses and Ben Ray who felt the time was ripe for another look at âSmart Casualâ. In a moment of serendipity, Romesh Dodangoda – longtime Kids In Glass Houses record producer and collaborator – was thinking something similar. Dodangoda revisited the original masters of âSmart Casualâ, and wanted to breathe new life into the songs that started it all. This tinkering soon snowballed into a full remix of the album, which in turn progressed into a full re-release.
With the band on the same page, and a ânewâ record to promote, the only logical way to proceed was a full, headlining tour. âWe were just like, fuck it. If we’re gonna do it, well we’ll do it properly!â
Wanting to do this properly is admirable indeed, but nine years is a long time in the music industry. For Kids In Glass Houses, a band that had a cult following in their heyday, how would their reunion sets be received?
This question certainly crossed the bandâs mind, but Ray had a hunch that he was onto something big. âWe saw Ben before we played and he was like âWe kind of expect you to have like one of the biggest crowds of the weekendâ and we were like, are you sure? I think you may be wrong!â Laughs Phillips.
As it turned out, Ray couldnât have been more right. At Slam Dunk South, the bandâs first live set in almost a decade, they drew a crowd that was as vast as it was raucous. The videos of this set are incredible, and show a love for this band that hasnât ebbed in their years away. A response that Phillips couldnât have predicted. âI think after all that time, you don’t expect people to sort of still care. You think they’ve kind of moved on. So, it was really kind of humbling. It was nice.â
The Slam Dunk sets were an undeniable success. Yet, the band couldnât rest on their laurels, and attention soon turned to the re-release of âSmart Casualâ, and in the years since Kids In Glass Housesâ final release, vinyl has seen a real boom in popularity. Nowadays, it’s common to see many different versions of albums released on vinyl. The demand of fans to own a band’s back catalogue has increased dramatically over the last 10 years. This wasnât the case in 2008, when the band released âSmart Casualâ, yet the first pressing were limited to 300 copies, and sold out in a matter of hours.
This led to copies being traded for hundreds of pounds, something that didnât sit well with Phillips and the rest of the band. âWe all love collecting vinyl and stuffâŚÂ and they were just reselling for so much money and we were like, âoh, this is shitâ. Like, we don’t want people spending hundreds on âSmart Casualâ!â
With Dodangodaâs remastered version of âSmart Casualâ waiting in the wings, an opportunity arose to re-release the album on a larger scale. In doing so, giving fans the chance to own the record without breaking the bank.
This re-release, combined with the renaissance that guitar music is seeing in popular culture, could be seen as a good opportunity to win over a new generation of fans. While this is something that Phillips acknowledges, itâs very much secondary to rewarding the loyalty of long-term fans. âFundamentally, this is kind of a bit of fan service for people who were there at the time, but the idea of us being able to win over a new generation and get some new ears on it is also sort of super exciting for us.â
With the vinyl orders in, attention turns to the bandâs upcoming tour. For a band who built their reputation on the frequency and intensity of their live shows, touring is a vital part of their legacy, and itâs clear that Phillips is excited to be getting back out on the road. âIt was always our favourite bit.â
While the band very much embodied the spirit of rockânâroll in their youth, for Phillips, this tour is much more about rebuilding connections. âIt’s just gonna be that hanging out element for us. Because even as a band we weren’t particularly âin touchâ to be honest, for a few years in the middle there. Which is obviously a shame, but, you know, people have kids and stuff, so that’s a big part. But we’re really gonna love that.â
Itâs an opportunity that the band are relishing. Rather than experiencing pre-tour jitters, the band love this part of the job the most. âSlam Dunk was amazing, but it’s not necessarily always your fans, and there’s a bit of like stress and pressure that comes with that. So, there’s a bit more comfort when you’re playing a headline show, you know. People are there to see your songs and your band.â
When asked if thereâs anything that the band arenât looking forward to when it comes to the tour, Phillips is hard pressed to find any downside. Indeed, the negative, if there is any, is the pressure in preparing for the tour, and all the logistical work that goes into making it a success. Phillips handles the merch design, as well as taking the time to do press work to promote the tour. Despite his responsibilities, he is keen to emphasise that itâll all be worth it, once the tour rolls around. âIt’s kind of the cherry on the cake of what’s been like a pretty unexpected and kind of unbelievable year for us. So, no, it’s pretty much all excitement on our side!â
The centrepiece of this tour will be âSmart Casualâ played in full. As with any band, with each album release, there are more favourites to fit into set-lists. Inevitably, some older tracks have to be shelved to make room. The band play singles such as âEasy Tigerâ and âGive Me what I Wantâ at pretty much every show. But deeper cuts were lying dormant before the band went on hiatus, and these dates give the band the chance to dust off some of the album tracks; something that Phillips is looking forward to. âGirlsâ is an up-tempo number which will be fun to play live, even if itâs not without potential pitfalls âI was like, fuck, I’m not 20 years old anymore, and itâs difficult to sing so high!â he laughs.
Conversely, âPillow Talkâ is a slower number, which remains a source of pride to Phillips to this day. âItâs a slower song, but itâs a song that I still listen to now, and I’m quite proud of it lyrically and musically.â He also admits that it gives him the opportunity to catch his breath between faster numbers!
Ultimately, Phillips, and the band are grateful for the chance to play these songs to fans again, and are grateful that those fans are still desperate to hear them. âIt’s really cool that those songs, they weren’t on Kerrang! TV or any of that. They’re just songs that people hold dearly. It’s always quite a nice moment when those kinds of songs land with the crowd.â
When pushed if the set will have any surprises – once âSmart Casualâ is out of the way – Phillips is understandably elusive in his response. âThereâll definitely be a few surprises. I don’t want to ruin it!â but also adds âDon’t miss it – just go and find out!â
Perhaps the biggest surprise is that this reunion has happened at all. Is this is a one-and-done, or something more permanent? For now, Phillips admits that the band are enjoying being back together, without getting too far ahead of themselves. âWe’ll do the tour, we’ll see how happy people are⌠or how sad!â He jokes, “We’re back in some capacity, but we’re shaping that at the moment.â
He is, however, firm that this isnât a short-term return by any means. âThere will be other stuff happening, we’re not gonna just do this and disappear.â
A band that has always done things their own way looks set to make a return as unique as their first act. With less than a month to go until the âSmart Casualâ tour, it very much seems like this is the beginning of something special for Kids In Glass Houses. To paraphrase one of their biggest hits, this will give the fans exactly what they want.
Kids in Glass Houses tour the UK on the following dates:
October 15 – Glasgow SWG3
October 16 – Manchester O2 Ritz
October 17 – Birmingham O2 Institute
October 18 – London O2 Forum Kentish Town
October 20 – Bristol O2 Academy Bristol
October 21 – Cardiff Cardiff University Great Hall
TOM FORRESTER