New Vegas display an obvious affection for turn of the century emotional rock on ‘Overseer’, a record which builds upon the hefty foundations laid by mainstream bands of that ilk. There is a clear reference to lyrics and atmosphere driven by a more mature teenage angst throughout the seven tracks (and err, video games too). Combining this with more modern sounds such as those demonstrated by the heavyweights in the new wave movement (Pianos Become The Teeth being the most evident) is a brave move, and one which the Pittsburgh based six-piece almost pull off.
Unfortunately, despite a formula which touches on the edge of uniqueness, the outcome results in a scrambled pick ‘n’ mix. The occasional inspirational moment not only borrows from emotional hardcore superstars, but also surpasses the atmospheric stalwart of their genre. Juxtapose this with the extended periods of humdrum instrumentals and the tracks just become a little confused. If New Vegas had elected to shave one or two minutes off opener ‘Reliance’ for example, it would have improved the captivating aspects while leaving the intensity intact. By unnecessarily drawing out the songs, the overall impact is lost.
Similarly, the record is marred by a number of avoidable missteps; the cringe worthy opening moments of ‘Kneeling in the Water’ or the vocal growls that damage the tracks with an unfinished feel to their production. Some of this is due to the composition of the songs, yet a large proportion of the lack of sheen can be put down to low quality production values (which can be more than excused at this stage in their career).
‘Overseer’ is the musical equivalent of an unpolished diamond. The core of the record is at times absolutely stunning, and well worth anyone’s attention. To get to the core of the record however, the listener must first remove and disregard a layer of blemishes and impurities which distract from the music on offer. Give New Vegas a bit more time and some expert production, and the result will undoubtably shine through.
BEN TIPPLE